Natalia Ludmila nos hace llegar este link, encontrarán convocatorias, festivales, cinemateque, bases de datos…
http://www.mecad.org/net_es.htm
Aqui pueden encontrarán información sobre artistas, técnicas, materiales, o historia del net art en España. Muy práctico, también por el diretorio que les llevará a revistas, centros y publicaciones con muy buen contenido.
este esquema realizado por René Block puede ayudarnos a situar el arte sonoro.
Sobre ficciones, sueños, ciudades y arte.
http://www.bampfa.berkeley.edu/exhibition/231
This city is from the future. It’s called The Exploded City. Those who live there have emigrated from faraway lands, with dreams of traveling to the future. When they realized that there was no finding the future, they decided to build this city. It is said that hundreds of different languages, such as Otesian, Bosnian, Albanian, Kurdish, Castilian, Irish, Turkish, Persian, Arabic, Urdu, Anglo-Frisian, and other Saami, Altaic, and Slavic languages are spoken in this city. These people who don’t speak each other’s language, instead of creating a lingua franca, have learned to communicate through looking into one another’s eyes. Not before long, they taught me this eye language as well. In this city, all the other remaining languages are like a constant background noise. They actually resemble the besieging of the city by various types of birds.—Ahmet Öğüt
Link cortesía de Carol Borja sobre artistas y recorridos:
Miroslaw Balka: The unilever series
http://www.tate.org.uk/modern/exhibitions/unilevermiroslawbalka/explore/
http://www.tate.org.uk/modern/exhibitions/unilevermiroslawbalka/default.shtm
The latest commission in The Unilever Series How It Is by Polish artist Miroslaw Balka is a giant grey steel structure with a vast dark chamber, which in construction reflects the surrounding architecture – almost as if the interior space of the Turbine Hall has been turned inside out. Hovering somewhere between sculpture and architecture, on 2 metre stilts, it stands 13 metres high and 30 metres long. Visitors can walk underneath it, listening to the echoing sound of footsteps on steel, or enter via a ramp into a pitch black interior, creating a sense of unease.
Underlying this chamber is a number of allusions to recent Polish history – the ramp at the entrance to the Ghetto in Warsaw, or the trucks which took Jews away to the camps of Treblinka or Auschwitz, for example. By entering the dark space, visitors place considerable trust in the organisation, something that could also be seen in relation to the recent risks often taken by immigrants travelling. Balka intends to provide an experience for visitors which is both personal and collective, creating a range of sensory and emotional experiences through sound, contrasting light and shade, individual experience and awareness of others, perhaps provoking feelings of apprehension, excitement or intrigue.
